The Beetle was the first thing I noticed, the contrast of the blue to its surroundings so incredibly prominent I had to appreciate the scene that much more. However, the lush green of the trees beyond the walls stand out, as does the blue Volkswagen Beetle. Amélie’s outfit matches the colors of the buildings and most of the surroundings as she walks up the street. Collignon’s mother’s house to inquire about the people that used to reside in her apartment is worth mentioning based on the cinematography alone. They had just the right amount of stereotype about them without it being overly excessive, which made the inclusion of these characters like repugnant Mr. On the other hand, the characters are also a representation of how films see stereotypes, but I think Amelie found a balance in these stereotypical characters. There are people out in the world that are a perfect example of conformity to a stereotype, be it spoiled rich girl, slacker skateboarder, dumb jock, or something along those lines. They’re a representation of both fictional and real life. While these characters fall into their stereotypes, they each play a meaningful part of the story. It seemed like a touch much, not unlike Amélie’s heart.īonnaud also notes that “characters are heavily typed until they’re transformed into familiar figures”, like the “obnoxious merchant”, “the reclusive old painter”, etcetera. It reminds me of that scene in Mary Poppins when Dick Van Dyke and Julie Andrews are dancing away with animated characters. You can tell by the look on Amélie’s face just how she feels, so the heart visual is over-the-top. Other times, like the visual of her heart pounding in her chest, it seems unnecessary. It resonates with me personally because sometimes, when you lose your chance, find yourself embarrassed, or something of the like, doesn’t everyone feel like melting at one point or another? I didn’t mind the visual of Amélie disappearing, melting and becoming water–it was a representation of how she felt. Whether or not people go along with the cartoon-like visuals that pop up every here and there is a matter of personal preference. Granted, sometimes Amélie can be a bit much. He adds that the film abuses “in-your-face devices–like Amélie‘s heart beating under her sweater or any number of crazy, ostentatious camera stunts.” “ Amélie is one of those films that never stops reassuring the audience that it’s on their side, taking them firmly by the hand and leading them…well, nowhere really,” writes Frédéric Bonnaud. With a movie like Amélie, you either love it, or you hate it. People are different, hence different opinions. CriticismĮvery film comes with some criticism. She manages to do all that and more, finding happiness not just for others but also for herself along the way, and that’s one of the many reasons why Amélie is so treasured. I appreciated the narrator because he offered many insights into her character and helped the audience get to know her better.Īmélie wanted to add something to the world, spread some love and happiness, and paint the black and white of the world with a wildly colorful brush. She was waiting to be let out of the figurative cage she’d been held in most of her life. I always considered Amélie to be a good character. Keeping a balance between expectation and unpredictability is no easy feat, especially when the plot is facile and the characters are stereotypical, yet somehow contain a sense of unpredictability (especially where it concerns Amélie). Amélie isn’t a surprise, but it isn’t what you’d expect, either (especially with the creepy-looking movie poster which can be misleading). It’s more simplistic in nature, and usually, audiences are bored with such a concept. Strangely enough, the plot doesn’t necessarily scream surprise or complex. Upon its release in 2001, audiences everywhere were enamored with the rom-com. This French romantic comedy truly stands out, even to this day. That personality comes in handy as an adult each time she finds ways to change the lives of those around her for the better. Because she was so sheltered as a child, she made up imaginary friends and circumstances, developing a fantastical and mischievous personality as a result. Her neurotic mother dies while Amélie is still a child thanks to a suicidal Canadian tourist, while her father is distant, growing only more withdrawn upon his wife’s death.Īmélie is unusual. Amélie, mistakenly believed to have a heart condition as a child, was raised at home by her two parents. A mélie is about a shy, lonely young woman of the same name (played by Audrey Tautou) that finds she loves brightening the lives of those around her, using extraordinary and even bizarre methods to do so.
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